The Power of Films
The Power of Films
Guest editorial • Summer 2021
There is something magical about film. It is a lot more accessible than just words, it can reveal the soul of an important subject’ (Award-winning animation director, Bexie Bush)
For many, the pandemic gave us a rare moment to step back and reflect. For me, I had a lot of time to think about the type of films I want to produce – and though escapism and entertainment still rate high on my list of priorities – I believe film can inspire social change and discussion.
I’ve been working on a very special project with animation director Bexie Bush, “The Rumour Mill” – in which interviews with factory workers are transformed into anthropomorphised talking objects, like knitting machines and air vents and who as troubled observers reflect humorously on our most pressing issue today: climate change. By using this expressive animation style and humour, we are able to reach a wider audience and instil change and debate.
Film is a much-loved art form, but it is also a multi-million-pound industry. As a Producer, it’s my job to balance creative decisions with business acumen. That being said, success can be measured in different ways. For me, my 2015 BAFTA win, and Academy Awards nomination for “The Bigger Picture” (which became one of the most critically successful short films to ever be produced at the prestigious National Film and Television School) were huge milestones in my early career. Today, as my business grows andevolves, I make decisions that must reflect financiers’ expectations on their return of investment.
A good example of this is a feature on my slate called “Hitchhikers”. Using the popular genre of thriller, we pull the audience out to a place where they must engage with familiar themes in a new and disturbing way.
“Hitchhikers” is a female-led coming-of- age set in a car, speeding through the oppressively open and empty landscapes of Dartmoor.. But the events that happen in “Hitchhikers” are not fictional constructs concocted simply to push an audience to the edge of their seats. Our writer grew up hitchhiking across Dartmoor as an ‘invincible’ teenager and she draws on a wealth of personal stories to shape the characters for this film. This helps us to highlight the danger that women and girls still have to face every day: every word from a man in the driving seat must be carefully interpreted, deftly diverted or pointedly flattered to maintain one’s safety.
Being a good filmmaker isn’t just about telling a good story – it’s also about reaching new audiences, making some sort of lasting impact, introducing new worlds and authentic people. Winning awards? Well… that’s a bonus!
About Chris Hees
Chris is a BAFTA-winning, Oscar- nominated producer, and alumni of the prestigious NFTS, Berlinale Talents, Cannes Producers Network and ACE Producers. In 2018 he co-produced Nathalie Biancheri’s debut feature, “Nocturnal”, and his debut feature animation “Absolute Denial”, which
is currently screening at festivals worldwide, has been picked up by SC Films. Chris was also on the Board of Trustee’s for Hull’s UK City of Culture 2017 and now sits on the steering committee for the British Screen Forum.
More information on Bridge way Films can be found at www.bridgewayfilms.co.uk
